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1982-the year i was born,the year my father built the house he currently lives.Now,27 years later,the house' future is uncertain or bound to eventually disappear-To me,the house is a museum filled with artefacts wich are symbolic for both my childhood and pieces of my fathers artistic persona.In time,the objects lost their functional value and fell into oblivious decay.The photos are taken in a clean,registrative sense,as if they are documented to be put in an archive.Disconnected from personal emotion or melancholy,this is a series of saying goodbye to a part of my own life and an attempt to visualize the caleidoscopic world of my dad.Through displaying the images in negative form,i attempt to show both the transformation of material through time,and the photographic process throughwich i re-incarnate the objects by taking them out of their context and presenting them as independent optical identities.Furthermore,the series explores the thin lines between what is considered 'commercial' and 'fine art' photography,by hinting at themes like communication,(antenna),global changes (dustglobe),and a childlike sense of naitivity (champion).

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1982-the year i was born,the year my father built the house he currently lives.Now,27 years later,the house' future is uncertain or bound to eventually disappear-To me,the house is a museum filled with artefacts wich are symbolic for both my childhood and pieces of my fathers artistic persona.In time,the objects lost their functional value and fell into oblivious decay.The photos are taken in a clean,registrative sense,as if they are documented to be put in an archive.Disconnected from personal emotion or melancholy,this is a series of saying goodbye to a part of my own life and an attempt to visualize the caleidoscopic world of my dad.Through displaying the images in negative form,i attempt to show both the transformation of material through time,and the photographic process throughwich i re-incarnate the objects by taking them out of their context and presenting them as independent optical identities.Furthermore,the series explores the thin lines between what is considered 'commercial' and 'fine art' photography,by hinting at themes like communication,(antenna),global changes (dustglobe),and a childlike sense of naitivity (champion).

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1982-the year i was born,the year my father built the house he currently lives.Now,27 years later,the house' future is uncertain or bound to eventually disappear-To me,the house is a museum filled with artefacts wich are symbolic for both my childhood and pieces of my fathers artistic persona.In time,the objects lost their functional value and fell into oblivious decay.The photos are taken in a clean,registrative sense,as if they are documented to be put in an archive.Disconnected from personal emotion or melancholy,this is a series of saying goodbye to a part of my own life and an attempt to visualize the caleidoscopic world of my dad.Through displaying the images in negative form,i attempt to show both the transformation of material through time,and the photographic process throughwich i re-incarnate the objects by taking them out of their context and presenting them as independent optical identities.Furthermore,the series explores the thin lines between what is considered 'commercial' and 'fine art' photography,by hinting at themes like communication,(antenna),global changes (dustglobe),and a childlike sense of naitivity (champion).

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1982

1982-the year i was born,the year my father built the house he currently lives.Now,27 years later,the house' future is uncertain or bound to eventually disappear-To me,the house is a museum filled with artefacts wich are symbolic for both my childhood and pieces of my fathers artistic persona.In time,the objects lost their functional value and fell into oblivious decay.The photos are taken in a clean,registrative sense,as if they are documented to be put in an archive.Disconnected from personal emotion or melancholy,this is a series of saying goodbye to a part of my own life and an attempt to visualize the caleidoscopic world of my dad.Through displaying the images in negative form,i attempt to show both the transformation of material through time,and the photographic process throughwich i re-incarnate the objects by taking them out of their context and presenting them as independent optical identities.Furthermore,the series explores the thin lines between what is considered 'commercial' and 'fine art' photography,by hinting at themes like communication,(antenna),global changes (dustglobe),and a childlike sense of naitivity (champion).